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It’s just like a heavy cold, they said.

If this has a single line on it at C, it is a RAT. 

If it has a second line at T (like in the picture), it’s a DUCK – at least,  I think that’s what my wife called it when she saw hers.

It got us.

My wife and I have both been COVID-jabbed to the full extent of the law – she three times, and me (because of an underlining immunity issue) four.

We’ve managed to dodge Covid since March 2020, but statistical probability caught up with us a week ago.

We have been increasingly encircled, like a vulture circling lunch.  Our daughter-in-law; a niece’s boyfriend, the niece herself and our sister-in-law; our son and his partner.  Friends and acquaintances locally and distantly.  There has been an increasing sense of inevitability – which finally landed a week ago.

We went to a café on Thursday for a late evening hot chocolate, and we think that was the starting point.  The place was pretty full and lively and, being a café, only the staff were masked up.

Statistical Opportunities

According to what appears to be the international Covid-recording database at Maryland’s John Hopkins University, since the first Covid case recorded in New Zealand there have been over 1,300,000 confirmed cases here.  On a population base of approximately 5.1 million, that is 20% of our population who have tested positive.

And that only counts the reported results – it would seem probable that not everyone has been diligently putting his or her positive hand up to be counted!

At five to one, there is a degree of inevitability that you will join the statistics at some point. 

If you haven’t already.

What’s it like?

Friends and relatives who have experienced Covid have said it’s just like a heavy cold.  Sneezing and coughing (a lot of coughing),  feeling achy and lacking in energy, a bit of “brain fog” – that sort of stuff.

They jest. 

It is like that, but they understated just how bad it feels. 

My wife spent the first day she tested positive sleeping in bed.  Days two and three, she sat in an armchair and read books, with a sore throat so bad it made her ears hurt.

There are spells where you think you can get something done, but those spells have the life-expectancy of a Warehouse firework – short, smoky and rather disappointing.

For a person who usually shuns “traditional” medicine – preferring, with considerable reason, to use combinations of essential oils and diet to maintain health levels for us both – she has ingested a small van-load of panadol and antihistamines in the last few days! 

The Symptoms

I could write a list of the things you’ll get with your Covid.  But it would be long, boring, and undoubtedly incomplete!

The short version is to remember back to the worst flu you’ve had, add a strong head cold and a wicked hangover.  And multiply by 2.

Your thought processes than are like a suburban train timetable – running about 20 minutes behind schedule.  Or replaced by buses.  What has been euphemistically called “Brain Fog” causes Wordle to become an inquisition rather than an entertainment. 

You may not remember how to set a fire and it is possible, halfway through the process, to forget how to make a cup of tea.

Exhaustion and lethargy are on an epic scale.  There are spells where you think you can get something done, but those spells have the life-expectancy of a Warehouse firework – short, smoky and rather disappointing.

The Up Sides

Enough negativity!  There have some good bits that cannot be overlooked.

We have been humbled by the attention and offers from friends and relatives, checking on our collective well-being.  They have checked that we have everything we needed (tissues were an issue!), and they’ve fetched and carried for us if we asked.  

We are still standing, pretty much unaided.

And we haven’t used any petrol for a week!

Odd bits

We always have a latte per day, as early as achievable.  We didn’t have one for a week – and didn’t miss it.  We may now have to play catch-up.

The light at the end of the tunnel may yet be revealed to not be an on-coming train.

There has also be a distinct lack of desire for wine – although I did use up some open bottles of whisky, and my wife re-discovered brandy.  We considered that the improved abv was justified as a sort of hand-sanitiser, taken internally.

The Light at the end of the Tunnel

We’re coming right.  The DUCK line is slowly fading and the light at the end of the tunnel may yet be revealed to not be an on-coming train.

The coughing, the tissue consumption and the drug-taking are abating slowly. 

That aside, even though it’s only been a week and a bit, it has been the most horrible week and a bit that I wouldn’t wish on anyone. 

Add to that, the potential long term side effects can reportedly go on for a long time.  Don’t get Covid – it’s a shite illness.  Take it seriously! 

Take all the protections you can.  If you’re offered a fourth shot, take it!  It may (literally) save your life and even if it doesn’t, it will make the illness a whole lot less unpleasant if the statistics get you too.

Post script

I heard that some people intending to go overseas are actively looking to get Covid before they travel.  Apparently, they regard getting the illness as another level of immunity.

Really???? 

From a Canadian alcohol study; “Even moderate drinking can result in hospitalisation or even death”. 
Doesn’t LIFE result in death? 
Just asking.

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Matt’s Blended Tasting – Six at Seatoun

Matt is a long-time whisky taster.

He is also a very knowledgeable whisky connoisseur. So the prospect of Matt holding a tasting of blended whiskies made my ears prick up.  A lot.

The majority of my whisky education has come from listening to people who know more than me – which is a big group of people! Matt is very deservedly in that group.

I’ve sat in the room with him at a lot of whisky tastings over the years. In recent times many of those tastings have involved reasonably esoteric Single Malt bottlings.

While drinking esoteric single malts is all very fine and ego-building, they are generally harder whiskies to find. And they tend to be at a higher price point if you do!

As a rule, blends tend to be more accessible – and more affordable, especially if you need to buy petrol too.

Single Malts v Blends

I don’t want to be lecturing on the difference between single malts and blended whiskies.

Suffice to say that – in exceptionally broad terms – a blended whisky is a combination of two or more whiskies that have been distilled in different distilleries and then put together in one bottle. That’s a very simplistic description – there a considerable number of variations on the theme!

I greatly admire whisky makers. They do stuff that I couldn’t do: I’m happy to let them do it and leave me to reap the benefits three to thirty years down the line.

Examples of blended whiskies include the Johnny Walker range, Chivas Regal, and Famous Grouse whiskies.

Making blended whisky

Any single malt whisky is the combination of a set of given ingredients and circumstance – the materials (grain, water, yeast), the manufacturing equipment and process, the duration of maturation, the type of cask used. Within these parameters the outcome is reasonably predictable, but the results can also vary widely.

I greatly admire whisky makers. They do stuff that I couldn’t do: I’m happy to let them do it and leave me to reap the benefits three to thirty years down the line.

But whisky blenders are a different breed! Their task is to produce a whisky that noses, tastes and feels the same as the one they produced last year and the years before that.

Like making the same chocolate cake each birthday.

But the whiskies the blenders took to get make last year’s cake may not be available this year. Eggs can’t be got and the chocolate supply has dried up. The blender is left to source other component whiskies that she/he can blend in different ways and quantities to produce a cake that is indistinguishable from last year’s.

That’s skill!

The Tasting

Matt had six blends for the tasting. All of them are reasonable available if you shop around a bit.

The Line-up

As usual, five of the whiskies were known to the tasters and the sixth was a “mystery”, the drams were presented “blind”.

The tasting notes and scores by glass are mine from the evening. Any resemblance to the overall results at the bottom is purely coincidental!

Glass 1:  Naked Malt, 40% 19yo, Naked Grouse without the grain component

Nose: Brown-bread toast, grassy (straw), chocolate
Palate: Sweet and soft, then pepper corns
Finish: oily residue on tongue & lips
Conclusion: OK, but not startling. First fill oloroso casks
Score: 7.1

Glass 2:  Monkey Shoulder “Smokey Money” Batch 9, 40%

Nose: There’s the peaty one! Raw bacon in a crepe bandage, banana-flavoured lollies.
Palate: Watery & thin.
Finish: Peat stays on … and on. Oily.
Conclusion: A bit disappointing. I’ve had other Monkey Shoulder expressions that left a better impression. The peat gets in the way here.
Score: 6.8

Glass3:  The Mystery (revealed as Johnny Walker Blue Label)

Nose: Nose prickle, sherried, and hint of smoke. Honey and Solvol soap.
Palate: Tannic and a bit non-descript.
Conclusion: I didn’t pick it as a JW.
Score: 7.2

Glass 4:  Whisky Trail “Rockabilly Hoedown” 19yo, 45%. Sherry Butt .

Nose: Potato crisps and poached stone fruit.
Palate: Sweet & soft, inoffensive.
Finish: Berries and brown sugar. Long!
Conclusion: Nice!  This whisky is from Elixir Distillers, who’s other brands include Port Askaig and Elements of Islay. At 19 yo the Rockabilly Hoedown may be the combination of two purchases of raw spirit that have been casked and matured together. Could be a teaspooned Longmorn?
Score: 8.1

Glass 5:  North Star SuperSonic Mach 4, 7yo, 60%. 2 Sherry Butts

Nose: Slight nose of kerosene, like a Riesling wine. Buttery, with good legs, citrus marmalade, Honey & sawdust and brown sugar.
Palate: Rich and vegetal (not in a bad way), coffee and goes hot with a tannic edge.
Finish: Sack-y, sherry, hot, dark chocolate
Conclusion: Want to buy one!
Score: 8.5

Glass 6:  Adelphi Private Stock Reserve, 57%

Nose: “Hell of a good nose”, medicinal and bandages, smoke and marine, buttery bacon.
Palate: Salty, peaty, sweet bacon.
Finish: Warming.
Conclusion: Lives much more to the promise of the nose than a lot of earlier Ardnamurchans.
Score: 8.5

Group Results

The results for “Best Nose” are:
Glass 1: Naked Malt: 7 Votes (3rd Place)
Glass 2: Smokey Monkey: 6 Votes (4th Place)
Glass 3: Johnnie Walker Blue Label: 2 Votes (5th Place)
Glass 4: The Whisky Trail: 9 Votes (2nd Place)
Glass 5: Super Sonic Mach 4: 12 Votes (1st Place)
Glass 6: Adelphi Peated” 1 Vote (6th Place)

The results for Overall Favourite with the average score from the toom are:
Glass 1: Naked Malt: score 6.24 (4th Place)
Glass 2: Smokey Monkey: score 6.14 (5th Place)
Glass 3: Johnnie Walker Blue Label: score 6.06 (6th Place)
Glass 4: The Whisky Trail: score 7.86 (1st Place)
Glass 5: Super Sonic Mach 4: score 7.24 (2nd Place)
Glass 6: Adelphi Peated: score 7.14 (3rd Place)

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Some Peated Ardmores from the Scotch Malt Whisky Society

From Ian Stopher

Ian has previously reported for rantandwhisky.com on the Scotch 22 selections at Whisky Galore in Christchurch. 

Ian Stopher – photo by Richard Mayston

This time he has reviewed a selection of his Scotch Malt Whisky Society (SMWS) collection of peaty Ardmores.  He has very generously given us permission to reproduce his tasting notes here.

 

So, let’s get tasting!

As I had opened a few recently, I would give you my tasting notes by combining six SMWS offerings of Ardmores into one peaty lineup:

The SMWS Ardmore Bottles

And their contents

As the photo shows, colours range from a glorious light gold to burnished copper.

Glass 1: 66.167 “Big And Punchy”.  7yo Refill Oloroso Puncheon

Nose: Cream and toffee, newly waxed floor, lemons, not much peat.

Palate: So drinkable with water, creamy toffee, some tang of peat and a hint of Oloroso but it is so soft.

Finish: The same tang of peat and it does leave that whiff in the mouth afterwards.  Maybe a bit short in length but acceptable for a 7yo.

Overall: A glorious whisky for 7 years.  Water definitely makes it better, bringing out a sweet toffee note.  No domination by either the Oloroso or the peat.  Punchy at full strength but a soft purring kitten diluted.

Score: 8.5

Glass 2: 66.151 “Tiffin in a Blackhouse”.  10yo Refill Bourbon Barrel

Nose: Prickly and sharp, hand sanitiser, some chemical off notes.

Palate: Manageable (just) at full strength but hard almost mineral.  A small amount of water still does not soften this down – it is tough going.

Finish: In the more lightly peated category but still quite noticeable.  The peat and the spirit leave a rather hollow feeling in the throat: more of a “medicinal TCP with warm water”.  Not what I was expecting.

Overall: I opened this a couple of days ago and was pretty disappointed.  I don’t mind the odd Bourbon Barrel, but this one does not match me very well.  More for the masochists.

Score: 7.4

Glass 3: 66.129 “Barbeque on a Banana Boat”.  12yo Bourbon Hogshead/Second Fill Hogshead (Heavy Toast Medium Char)

Nose: Lovely and spry, summer meadows, light tang with mild peat.

Palate: A little difficult to discern without water.  Do-able but it is a touch hard work.  With a reasonable amount of water those new oak end caps start to work their pepperiness.  More peat now noticeable after some consumption.

Finish: Rather green stick, verging on sour and mouth-coating.  This is not the finish I remember when I opened it a couple of days ago, it’s a bit over-cooked.  The peat is there, with also that aspirin aftertaste.

Overall: It seems to start well but that finish is rather an acquired taste (so to speak); it might soften with some time open but so far this bottle isn’t the complete package.

As I was reviewing these notes, I thought this whisky was just a single maturation but something wasn’t right.   I went back and checked and found it has an HTMC hogshead finish.  This for me has wrecked the finish, which would explain my overcooked notes above.

Score: 8.2

Glass 4: 66.175 “From Arbroath to Bogota”.  12yo Refill Bourbon Hogshead

Nose: Overripe fruit bowl, moderate peating, dusty drawers, wet leather wallet.

Palate: Wow, this is nice and compact without any water.  Lovely sweetness, quite syrupy, a dash of peat and lychees, very slight pepper, this is my kind of palate.

This seems to be in the Goldilocks zone for finishing with red wine,

Finish: Not that distinguishable from the palate.  It does not leave a heavy mark but more a golden sliding ebb.  The finish is not screaming hoggie though.  I am missing the pepper or spice hit.

Overall: Water tends to harden this whisky, better with just 2 drops at most. This seems a good sweet spot for me: a good hogshead, a decent amount of peat, not released too early: a very good drammer

Score: 8.5 is slightly generous, on another day it might be an 8.4.

Glass 5: 66.161 “Chateau du Pork Scratching”. 13yo Bourbon Hogshead/First Fill Red Wine Barrique Finish

Nose: Raspberries, lanolin, quite mature and heavy musk odours.

Palate: Hot, hot, hot, crisp red apples rather than the fruits you might expect with red wine.  The tartness is still on the side of likeable.

Finish: A bit acidic and refluxing, so something to contend with.  It is evocative of those lees in the bottom of a bottle that really you should pour away rather than consume

Overall: While the above suggests I am not in favour of this dram, it does have a homely, warming winter evening aspect to it.  It is perhaps more like a warm mulled wine equivalent of a drink, just at 58.1%.

Score: 8.3

Glass 6: 66.184 “Smoked Seaweed Smoothie”.  13yo Bourbon Hogshead/Second Fill Red Wine Barrique Finish 

Nose: Peaches, office after the cleaners have wiped down the surfaces, mild peat.

Palate: Quite dry, but that fruit that was quite overt in Glass 5 is more reined in.  That might be psychological, as I know this one is 2nd Fill Red Wine, not 1st Fill.  But so far this one is a better match.  It works without water giving an intense alcoholic punch but providing a glow from the wine. I added some water and I get more intense redcurrant coming out.

Finish: Still the fruit lingers, along with some marshmallow and a slight medicinal peat mixed with foot crème.

Overall: This seems to be in the Goldilocks zone for finishing with red wine, with some interesting elements thrown into the mix.  Works well both with and without water, I even refilled this glass.

Score: 8.4

Conclusions:

Originally this review was spurred by my disappointment with 66.151, Tiffin In A Blackhouse.  But when put them head-to-head I am a little surprised by the result. Some final concluding remarks:

    • When I opened the bottle for Glass 3 it was a definite improvement compared to Glass 2.  But now I realise it is an HTMC finish it makes my misgivings about the finish plausible after the fact.
    • I nearly finished the red wine finished bottles. I had been rather reluctant to embrace red wine finishes but these two show it does have an interesting dimension.  As the notes above suggest I think the 2nd Fill Red Wine Barrique works better than the 1st Fill: as should be obvious, you can always overdo it.
    • I knew I enjoyed the 7yo but I have not experimented with water with that one which really works. Fortunately, I have a bottle from a sister cask still unopened.
    • I may be rather inured to the peat, but it wasn’t the thing I hope I harped on about: it was there but often it just served a supporting role.
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The Bottom Of The Bottle – Reading the Marks

From Pat

The most interesting part of a whisky bottle is usually its contents.

But, as I revealed in my last epistle, a bottle has a whole netherworld that no-one really notices.

Last time I wrote I talked about the variety of corks and stoppers.  Now I’m turning attention to the markings at the other end of the bottle.

Spoiler Alert
Before checking the markings on the base of your whisky bottle, check that the cork or stopper is firmly in at the top!

No good story ever started with “We were eating drinking this tea  …”

This story started recently when we were consuming a few drams to celebrate my son’s 21st birthday.  As it does in these situations, the talk turned to the bottom of whisky bottles.

We became a bit fixated with what the confusing array of markings on the bottom may reveal.

This was quickly followed by some remarkably ill-informed discussion (read “guesses”) as everyone gave their theories on what the markings meant.

The thing about good whisky is that it allows – nay, encourages – the mind loose to dwell on trivial things that quickly can take on a life of their own.

The Search Begins

A day or so after the birthday bash Uncle Google and I started on a few hours of research.  I was looking to see if I could find out what the markings meant.  The initial searches led mostly to unhelpful American sites – no assistance at all with British bottles markings

My bottle of choice was the Benriach 21 year old tawny port finish we had opened for the birthday.   I found in my research was that Benriach had changed bottle suppliers since Brown Forman had bought the distillery!

My bottle, however, was from the earlier time when Billy Walker had owned Benriach.

The bottle had the following marks embossed on the bottom: LI, 2414, 700ml. 63mm, 05 and a reverse Epsilon mark.

After many web searches I arrived at the UK Government’s services and information site.  There is a sub-site that has a lot of info about bottle marks, including all the UK codes for glass bottle manufacturers.

Aha, the Enigma code was tottering, if not completely broken.

Allied Glass Containers Ltd

L1 is the code for bottle manufacturers Allied Glass Containers Ltd, located in Leeds, Yorkshire.

in a highly efficient 24 hours a day environment, Allied has the ability to produce 13 million glass containers every week.

The reverse Epsilon symbol is the European Economic Community mark for conformity.  Post-Brexit, new bottles sold outside the EEC will have UKCA on them instead.

On the Allied Glass Containers Ltd web site I discovered that 2414 was the project code allocated to their 750ml round Whisky shaped bottle.

700ml is the internal volume when filled to the neck plus an air gap, and 63mm is the internal diameter of the bottle.

The underscored 05 was the last piece in the puzzle.

To dig into this a bit further, I checked a few more bottles in my cabinet.

I found bottles from the same manufacturer but  with different shapes and used by other distilleries.  Each different bottle had its own project code, but with the same 05 number.

It seems that the 05 identifies a specific production line.

in a highly efficient 24 hours a day environment, Allied has the ability to produce 13 million glass containers every week.  With 16 production lines over two sites it is extremely important to be able to identify if issues occur on any line without having to shut down the entireprocess.

Benriach Bottle Base

Note that the production line on this photo is underscore 19 (in the bullseye of the photo), from a different production line to the bottle discussed above.  The batch number is different, too.

The Allied website is a cool site if you want glass.  All sizes and shapes are there, with their own project codes and details.  If you have a whisky bottle made by Allied and want all the information on it, enjoy the anorak moment.

 

Glenmorangie Spios

Glenmorangie Spiros Bottle Base

This is the bottom of a Glenmorangie Spios bottle.  The Allied Glass site indicates that they make for Glenmorangie (the clue is a photo of a Glenmorangie bottle on their site).  However, the markings in this photograph (at about 7 o’clock) show that the bottle was made by Ardagh Glass Portland – I suspect is Portland, OR, US of A, although it’s hard to tell.

 

Icons of Whisky awards 2022

From the Whisky Magazine are some of the Icons of Whisky (Scotland) awards for 2022:

Distiller of the Year:   The Glenturret Distillery
Sustainable Distillery of the Year:   Glengoyne Distillery
Visitor Attraction of the Year:   The GlenAllachie Distillery

And for Ireland:

Distiller of the Year:   Waterford Distillery
Sustainable Distillery of the Year:   Teeling Whiskey Distillery
Visitor Attraction of the Year:   Jameson Distillery Bow Street

All regional winners now go forward to be considered for the global titles in 2022.

 

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Whisky Stoppage – Stoppers to delight

By Pat

Note: To avoid creating any panic-buying, this article is not about whisky stocks!

However, it is about the things that stop your whisky from unexpectedly falling out of the bottle.

We all know about letting the Genie out of the Bottle, but have you taken a close look at what stops the Genie from getting out?

in the joy and rush to open that new bottle of whisky you probably haven’t noticed the effort that some of the distillers go to produce some very intricate designs on the bottle stoppers.

I was recently taking a look at some of my open bottles of Whisk(e)y.  Then I noticed something – the amazing range and variety of design  printed or etched into  corks and metal screw tops, or embossed into plastic tops attached to the cork.

The Glenlivet’s stopper design in particular stood out.  Then I noticed that almost every bottling I had from them was adorned with a different pattern.  Each one is a sort of variation to a theme: a marketing fetish or made for collectors?

Markings

On bottles with corks, the markings are usually covered by the bottle seal and the pattern only becomes visible once you open the whisky.

I have noticed that the distillers usually put screw caps on blends. But even there they still go all out to print company branding on the caps.

Single malts have corks aimed at a different market and the stoppers tend to be fancier.

If you collect these little gems, over time you will soon get a lot of different patterns.  The marketing boffins seem not to like to stick with a particular bottle shape or stopper for more than a few years.  This maybe to prevent consumers getting used to seeing the same thing.   A case in point is Glenfiddich, which delights in coming up with a new variation on their triangular bottle every few years.

Having (as it were) opened this bottle of worms, I started to pull out the array of partly-consumed bottles from my whisky cabinet and take a longer look.  To my joy, most stoppers had a different pattern on them.

Making a Cork Board

This led to a light-bulb moment and a dash to the Bat-cave (read “workshop”) and a “Here we go again” look from my wife.

I have a decent stock of old rimu off cuts in the cave.  I set about designing and making a whisky cork board  to put in my covered courtyard (when you get older it is ok and maybe even expected to become slightly eccentric.

In case you are interested in making a whisky stopper board I have found that there seem to be two size corks.  One is an 18mm hole (the majority) and the other a 22mm one for the larger size ones.  I kept the centre tp centre gap between the holes to either a 45mm or 50mm for a nice balanced effect.

The Cork Board

As you can see in the photo, I have left room for future corks.  The board looks very arty and is a great way of repurposing old wood offcuts.

Any wood would do and you can either polyurethane it or paint for the desired finish before fitting the stoppers and mounting the board.

So, if you have time, want to save the planet, feel arty and have an excuse to consume more whisky think about making yourself a cork board.

Cheers

Pat

Notes from around the world

“Light” whiskies

Picking up on an article on the Irish Westmeath site, I came across the phenomenon of “light” whisky.

Westmeath are reporting that Scottish blenders Whyte & MacKay and Ballentines look to have joined the Irish Dromberg in West Cork in producing a “lighter spirit drink”, running an abv in the early 20% area.

The producers seem a little coy on the target market.  I would not want to speculate.

Minimum Unit Pricing of Alcohol (MUP)

Again, from Westmeath comes the interesting new Government-driven pricing regime of MUP, imposed in Ireland on 4th January 2022.

Under the (quite reasonable) banner of social harm reduction, the idea is to reduce the availability of cheap booze.   The legislation sets a minimum pricing on a unit of alcohol, and the unit cannot be sold for less than that price – regardless of whether in a bottle store, a high-end restaurant or anywhere in between.

A standard drink contains 10 grams of alcohol, and the minimum price for a standard drink (in Ireland) has now been set at 1 Euro (NZ$1.73).  As such, that is not a problem really, as most drinks in a bar are well above that price.

But a bottle of 12.5% wine has 7.4 stand drinks, and therefore cannot be sold for less than 7.4 Euro (NZ$12.80).  Plus, of course, all the other production, distribution and profit costs that are present in pricing of wine.

A bottle of whisky has 22 standard drinks, so the MUP will be NZ$38.28, plus the ancillary costs mentioned about.

So, if the NZ MUPpets get a hold of this idea, expect an impact on low-priced whiskies here.

Just as well we are holding good stocks, isn’t it!

Slainte

John

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Some Christmas Holiday Internetting

I thought you might be stuck for things to do over the summer holidays.

So I have been feverishly scouring the interweb to  ferret out some things that I found interesting for you to pass some time with.

Well, not feverishly, exactly – a glass of whisky, a keyboard and a mouse and following links to see what entertainment they led me to.

And not just me, either, really.  Some good friends helped out by sending great links they had discovered.  I am grateful!  And please keep sending them.

One interesting by-product of the internet is that you can search for something worthwhile – and seven hours later you’re watching videos of owls riding unicycles.

I don’t think you’ll find a lot of owl videos here unless you really get off-track, but who knows (pun intended).

So, in no particular order, here some interesting internet places that I hope you will enjoy going to.

Whisky Panorama

Sent to me by Martyn is the brilliant Whisky Panorama:  1,200 magnificent bottles of whisky in one photo.

Zoom in on any particular bottle/  Then click on the “Show more Info, notes and Whiskybase” at the bottom of the screen – you will get taken to all the details about that bottle.  Including tasting notes.

An outstanding piece of work by Stefan Maier!

Richard Mayston photography

Richard really does take magnificent photos.  I had a wander through his beautiful Great Barrier Island album just now, recognising some of the shot venues from a recent holiday my wife and I took there while the world wasn’t shut.

With his permission, of course. I have fairly shamelessly borrowed from Richard’s work previously.

A great highlight of looking through the albums is Richard’s photography from various whisky events.  He has covered Best of the Bests, Dramfests and other tastings.  It is great to look back over the years, remembering the events and looking at all the smiley people.

However, it does feel a little bit voyeuristic trawling through other people’s (sometimes personal) photo albums.  That is especially so when they are not looking over my shoulder providing guidance.   I guess that if the photographer puts pretty much all their output on Flikr where it is readily available to be looked at ….

Otherwordly

And talking about photography, Michael sent me this literally Otherworldy link.

Gorgeous photos here, and there are more if you click on the links below the last photo.

It does sort of beg the question, though, that if the bottom of the whisky glass looks like this what does your stomach look like?  Maybe better not to go into that.

Westermeath

Westermeath Whiskey World.

Westermeath is an Irish blog site I find absolutely fascinating.

Run by Whiskey Nut (complete with a Nut graphic) the site is – from their own description – “A hopefully humorous, informative and enjoyable blog from, but not necessarily about Westmeath.

“Usually themed around whiskey, although other beverages may feature.”

There is a veritable plethora of stuff on the site.  It starts with beer and goes from there.  And where it goes is a simply massive rabbit hole of whiskies and whisk(e)y tastings from all around the globe.

It is a huge site, with a huge amount of well-presented information about pretty much any dram you could imagine (I even found a note on the Icelandic Floki whisky – that was a scary discovery!

Enjoy yourselves.  Please stay safe during the break.  Have a good Christmas and a very Happy New Year, and I will look forward to seeing you all again in 2022.

Slainte.

John

 

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Lammermoor Distillery – whisky from paddock to bottle

“Moonshine” Whisky has been distilled illegally on the Lammermoors since the 1860s.

But I think that what Lammermoor Distillery produces now would be a far cry from the stuff that was made 160-odd years ago!

The moonshine whisky was made for the thousands of gold miners travelling the Dunstan Trail.  The Trail was created during the Central Otago Gold Rush, and today lies close to the popular Otago Rail Trail.

The Lammermoor property lies in the Maniototo district of Central Otago, south of the town of Ranfurly.  Geographically, it’s a place pretty close to as far from the sea as it is possible to get in NZ!

Temperatures in the Maniototo can go from over 30C to -20C, hot enough in summer to ripen the local  fruit crops and cold enough in winter to require whisky!

The modern Lammermoor Distillery

Certified Master Distiller John Elliot and his wife, Susie, are the current owners of the 5,200-hectare property.  The Elliott family have owned Lammermoor since 1928.

In 2016 John and Susie restarted the Lammermoor distilling history. They built the present distillery in 2017, hand-milling the station’s trees into planks for the construction of the building.

The distillery is now four years old, producing exceedingly fine gin and whisky.

In the current age, Lammermoor is one of the few distilleries to grow their own grain, malt and mash, ferment, distill and mature on site to craft very legal gin and whisky from paddock to bottle.

200 hectares of Lammermoor are in fully certified organic cropping, growing feed for the farm stock.  Possibly more importantly for us, they grow barley for whisky and gin distillation.  A newly imported Laureate barley is used, reputed to have a very good alcohol yield.

I poured my first dram and then happily spent the next 30 minutes just breathing it in, finding a new and different aroma with each sniff.

Distillation Equipment

The sensible New Zealand attitude of “never throw anything away that might come in useful later” seems to work well at Lammermoor.  Major parts of the distillery’s operational equipment have been re-purposed from other lives.

The grain is malted in two Italian Vallero drums.  The drums’ original use was the tanning of lamb skins.  They were rescued from lying idle at the side of the road and now serve to steep the barley with warm water to start the grain germination process.

And a Glasgow-born grain drier has become the distilery’s drier and smoker.  It came from the Bell Tea factory in Dunedin, spending its early years as a tea mixer blending Bell Tea.  The factory was closed in 2014 when necessary earthquake strengthening proved too much.

But the tea mixer lives on!

The dried green malt is heated over a nix of Lammermoor peat from an area named the “Great Moss Swamp” (now the Loganburn Reservoir) and manuka sawdust from locally grown wood.  The Elliots also have plans to use pohutukawa sawdust, which will be an interesting innovation I will look forward to.

Lammermoor whisky uses French oak barrels, previously occupied by quality Central Otago pinot noir.  Out of etiquette to Scottish tradition, John has determined a maturation minimum three years for his whisky.

But the thing that stuns me about this Lammermoor whisky is the nose.

I poured my first dram from the bottle and then happily spent the next 30 minutes just breathing it in, finding a new and different aroma with each sniff. Simply astounding, and so complex!

Lammermoor Special Reserve Single Malt Whisky

46% abv, bottle #415, batch 002, bottled 6/7/21

Lammermoor Special Reserve

Appearance: tawny with a slight reddish tinge (undoubtedly from the pinot noir) and a nice hold on the glass. The whisky is presented in a beautifully decorative bottle with an almost cut-glass lattice finish – a bottle is so pretty that I am sure it will dodge the glass recycling bin when the contents are finished!
Nose: Extremely complex, caramel toffee, floral (clover), sweet, raisins and new bandages, cloves and ripe figs.  So many aromas – it is very hard to stop nosing it, and every time I come back to it I find something different.  I think the barrel is having a lot of impact here. Nose score: 9.7
Palette: Meaty, like the meat juice around a beef roast.  The dram starts with an oily mouth-feel then quickly becomes tannic & drying with a note of milo powder.  Sourish from the French Oak, but not in a bad way.  The initial mouth heat drops quickly.
Finish: A nice, complex, lip-smacking and hard-to-identify flavour lingers.  Fruit conserve is in there.
Comments: I could nose this all day!  And every new sniff gives me a different aroma to contemplate.  The amazing nose perhaps promises a little bit more than the flavour delivers – but I would hesitate to mark the whisky down because of that.  The nose is so superb that I don’t know that any taste could compete!

When I try to ignore the nose and concentrate purely on the taste this is a very attractive and excellent session whisky.
Score: 8.8.

As we’ve said here before, over the last few months we have been increasingly captivated by the standard of the NZ whiskies we have found.  Lammermoor Distillery has definitely added to that captivation!

Footnote: This article has not been sponsored by Lammermoor Distillery in any way – the opinions and views expressed are entirely my own. However, I would like to gratefully acknowledge the support and assistance provided to me by the distillery.

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McCashin’s – From Beer to Whisky

For the last 40-odd years McCashin’s Brewery have been supplying New Zealand with the iconic Macs beers.

And now they have turned their skills to the production of NZ whisky – luckily for us!  The company have been unobtrusively making whisky for the last six years.  In that time two really good whisky expressions have been released – one of which you can buy and the other you can dream of buying.

The first expression was an 800-bottle limited edition release entitled Stoke IPA Whisky – essentially a distillation of IPA beer.  Beer and whisky both come from fermented grain, then it makes sense!

The second offering is a whisky named McCashin’s Single Malt Whisky (link), a 6-year-old that has been matured in a combination of used NZ and overseas French Oak (wine and bourbon) barrels.  In current NZ terms for age-identified drams, 6 years is quite a while for a whisky to sit just getting older!

The Equipment

The distillery operates a huge 4,000 litre wash-still and two 400 litre Jacob Carl Plated Stills.

The sheer size of that wash-still amazes me – in the NZ distilleries that we have reviewed so far, most of the stills seem to be around the 500-litre mark (which some have admitted cramps their production capability a bit).  A 4,000-litre unit is massive in comparison.

We started on this voyage of discovery to see what there was in the way of locally produced whiskies.  There are a lot of craftspeople out there working very hard to make some very good drams indeed and the bar is being set high!

the whiskies

We reviewed the Stoke IPA in December 2019 and scored it very well – our original tasting notes are below.  Given the limited bottling run I would be surprised if you can still purchase a Stoke IPA but if you can you won’t regret it.  It’s quite an unusual drop.

The McCashin’s Single Malt is still available at around $130 – $155 for a 70 cl bottle.  Again, in my opinion, it is well worth having!

Stoke IPA Whisky

Stoke IPA Whisky

59% abv, matured in a Pinot Noir cask, from McCashins Brewery in Stoke, Nelson, NZ.

Appearance:  Colour 0.8.  A nice, rugged, squared-off, dark bottle.
Nose: Berry fruit, wine cask, and sour washing.
Palette: Smooth, strong, soft honey note, mouth-filling, with a bit of a beer note.  Yummy!
Finish: Short, with the beer note remaining.
Comment: I talk about the beer note, but I was given this dram as a totally blind tasting.  I had no hint at all about its background other than it was cask strength, one of only 800 bottles produced and cost NZ$80.

Which was absolutely no help at all, really!

And my tasting notes were all written before I knew anything more about the whisky.

It was very hard to pick this whisky’s antecedents from the information I was given.  But once you find out it’s distilled IPA beer everything becomes very clear!  The sour washing note on the nose is hops.
Score: 8.7
I want one, and now I have one!
With only a little bit of gloating, the rest of you will have to wait until the next batch.  If there is one!

McCashins Single Malt Whisky

McCashin’s Single Malt Whisky

6yo, 40% abv. Bottle 1030 of 2,300.  Matured in used NZ and overseas wine and bourbon French Oak barrels.

Appearance: A light gold colour with a good hold on glass and light legs.
Nose: Toffee (those old tough and chewy toffee bars in the blue wrappers we used to get as kids – why do I think they were made by Whittaker’s?). Sweet, with the memory of warmed golden syrup poured over hokey pokey and vanilla ice cream.
Palette: The sweetness continues into the taste.  Parsley & radishes add to quite complex flavours.  Drying on the mouth.
Finish: Shorter, and some spice flavour remains.
Comment:  A great “session” whisky if one was settling in for the evening.  I am left with the impression that I would have liked to try it with the abv a bit higher – say 46-50%.

However, in saying that, I would not want to detract at all from the whisky as it is presented.  It is a great drop, every bit as good and better than a lot of whiskies that can be got from around the world.
Score: 8.4

Preachy bit

We started on this voyage of discovery to see what there was in the way of locally produced whiskies that could cover us in the case of – heaven forbid – a whisky drought in New Zealand.

So far, we have been most impressed with what we have found.  And we still have quite a few miles and a raft of local distilleries yet to look at.

For whisky lovers in New Zealand, we strongly recommend the local products.  We are really looking forward to continuing our voyage and bringing you drams from around NZ.  As that old TV ad used to say, “Don’t leave home until you’ve seen the country”.

There are a lot of craftspeople out there working very hard to make some very good drams indeed and the bar is being set high!

Slainte

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Level 4 Lock-down – Sampling Time!

Want to get creative during lockdown?

I admit that lockdowns come with a whole range of less-than-wonderful side effects:  queuing to get into the supermarket and everyone watching you buy toilet rolls, not being able to get a proper latte, not being allowed out, and rubbish TV programmes (if you don’t count the Paralympics, which are amazing!).

And some of the postings on social media indicates that a lot of people have way too much time on their hands!

But every cloud has a silver lining.  Not having to dress properly for work means less laundry (who needs to wear pants for a Zoom meeting?), no cars on the road and heaps of empty parking spaces.  And a tank of petrol lasts forever!

To top it off, there is the chance to stretch your metaphorical legs and stroll gently through your whisky stocks without having to drive home. Continue reading “Level 4 Lock-down – Sampling Time!”

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Divergence: Kiwi-ness in a bottle

Don’t worry about the state of whisky in New Zealand.

True that our “traditional” Scottish-sourced sauce may be a bit harder to come by while the world recovers.

But sometimes when you go digging, you hit a gold seam.  And that seems a good view of the distillery featured in this article.

The Spirits Workshop

The Spirits Workshop began in late 2015 when four whisky lovers got together and bought a small still, curious to develop distinctly New Zealand spirits.

The company describes itself as ”a small batch, craft distillery” in Christchurch, New Zealand.  Canterbury grain is used to make a range of spirits that include quality single malt whiskies, gins and other spirits.

Researching and talking to the company, I have been extremely impressed with what they do and where they look to be headed!

The Spirits Workshop’s whisky brand name is Divergence.  I recommend that you note that name  – I confidently predict it will become a big player the next few years.  And that opinion is reinforced when I look at the mouth-watering expressions they have in the pipeline.

The Process

The whisky spirit is double-distilled in a 500 litre copper pot still with a horizontal lyne arm and a copper shell and tube condenser.

Divergence Pot Still
The Spirits Distillery Post Still & Condensers

The company currently forecasts capacity to make 8,500 litres of barrel-strength new make annually, operating a single shift, five days a week.

The recently drawn NZ Whisky Guidelines and Definitions  have set a two year maturation minimum for NZ Single Malt Whisky.  However, the distillery has opted for a minimum three year period for their range.  And it looks as if some upcoming production may be held in barrels for longer than that.

Other single cask options include aging in ex bourbon casks, ex Australian and Spanish sherry casks,  and ex Portuguese Tawny Port casks

The mainstay whisky is a multi Gold Medal award winning New Zealand Single Malt expression.  It is double pot stilled, fully matured for 3 ½ years in 50 and 100 litre virgin French Oak casks, and bottled at 46% abv.

Divergence Virgin French Oak

I purchased a bottle of this delightful dram – strictly for research purposes, you understand!

My tasting notes are:

Visual: Orange amber, with good legs.
Nose: Sweet and aromatic, soft poached pip fruit (nashi pears?), a light-weight dark chocolate, musty.
Palette: Tongue heat feels a bit harsh at first then quickly mellows out to sweetness.  Well integrated and balanced.  Oaky wood comes through.
Finish: Tannic drying, and the oak wood remanis.
Comment: Good, at the first glass from the bottle.  But this whisky, like a lot of others, benefits from a bit of breathing.
Score: My initial first dram score was 7.5, but improved to 8.5/8.6 a few breaths of air later.

At the time of writing, the distillery also had stock of their Port Wood expression.  This expression is a 46.3% abv, matured in a 100 litre ex-South Australian Tawny Port barrel.

What to look forward to

Company Managing Director, Antony Michalik, says “Our next bottling will be another single cask, cask strength, release of the Sloe Gin Barrel Finished. This time finished in the Sloe Gin barrels for more than 12 months.

“We also have ex NZ Pinot Noir barrels both finishing whisky (which should be ready for bottling in the next 6 – 12 months) and fully aging whisky (which will be at least 2 years away).”

Also in the mix are ex New Zealand Port barrels both finishing and fully aging whisky at the moment. There is a further range of other single cask options aging in ex bourbon casks, ex Australian and Spanish sherry casks, ex Portuguese Tawny Port casks – some of which may be ready for release in the next couple of years and some of which the distillery may choose to age for longer periods.

I am so looking forward to trying these!

Manuka Experiments

The company is determined to put as much “Kiwi-ness” into their product as possible.

Antony talked about some experimenting they had done using native manuka wood to create a more NZ flavour.

“Unfortunately we can’t make barrels from manuka but we have experimented with using charred and toasted manuka chunks. The results have been very pleasant and promising of a potential truly NZ flavour profile.”

“However, the newly developed … rules for NZ Whisky do not allow for the addition of free-floating wood in aging New Zealand Single Malt Whisky so we have to find another way to introduce the Manuka wood contact, which we are working on”, said Antony.

The Spirits Workshop distillery is situated a short walk from the centre of Christchurch CBD, open for tours and tastings Monday to Saturday.

As well as the distillery itself, they also have a small cocktail bar at the Riverside Market right in the CBD where you can enjoy their whiskies as individual drams, in a flight of up to three current expressions or in delicious cocktails.

I’ll see you there!

PS:

As I mentioned earlier, The Spirits Distillery make a range of gins under the Curiosity label.  They use the same pot still but with a different lyne arm and a stainless steel condenser.  There is also a 20-plate copper column used to refine barley malt spirit for the base spirit of two of the Curiosity gins.

I recommend trying the Curiosity Pinot Barrel Sloe.

Curiosity Pinot Barrel Sloe

This gin liqueur is something else!  Taken straight without additives, it is the most delightful Christmas Cake like your grandmother used to make.

And that is why I’m hanging out for the Pinot Noir Divergence whisky!

Footnote:  This article has not been sponsored by The Spirits Workshop in any way – the opinions and views expressed are entirely my own.  However, I would like to acknowledge the support and assistance provided to me by the distillery.  They have been most generous with their time and information, and happy to answer some quite nosey questions.

John